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Headcase
Updated every Thursday
Published in Creative Loafing, Atlanta

Shocking film!
When it's 'sweeps week' for TV news, sex always sells

By Cliff Bostock

For the better part of four months every year, Nielsen Media Research gathers data to measure audience size of TV networks and local stations. The numbers are important because audience share determines advertising share.

To build ratings, the networks and local stations have historically scheduled their most sensational programming during these "sweeps weeks." Local TV news departments – here and everywhere else in the United States – used to run the same story about so-called public sex year after year.

Carrying hidden cameras into adult bookstores, outdoor cruising areas and public restrooms, they recorded the shocking sight of men having furtive sex with one another. Nothing builds ratings like showing gay porn to straight people.

This ratings ploy seemed to die down in recent years, but WSB-TV recently brought it back with a report about sex at the Belvedere Theater in DeKalb County. The story is well-documented by reporter Ryan Lee in the May 16 issue of Southern Voice, the city's gay weekly newspaper. You can find WSB reporter Jody Fleischer's video report, made after "months of investigation" (but not aired until sweeps week), on the station's website.

There is much about this story that is disgusting – and the least of it pertains to the behavior of the six, mainly elderly men who were arrested for public indecency by the DeKalb vice squad. You can start with Fleischer's basically stepping in to do the vice squad's job by conducting surveillance inside the theater with hidden cameras. She's like the middle-school snitch who hangs out with the smokers in the bathroom and then runs to tattle to the principal.

WSB's investigation, supposedly undertaken to "help" neighbors who have complained about the theater for 20 years, is a good example, too, of the way the media routinely foment the moral hysteria that has rendered the trivial consequential and the consequential trivial in America. Never mind that stories like Fleischer's have ruined lives, even caused suicides. What's important is that sex sells when thoughtful reporting won't.

My favorite statement in Fleischer's report was made by (the unfortunately named) Lt. Gary Dickerson, head of DeKalb's vice squad: "What adults do at home behind closed doors is their business, but when you bring it out into public then it becomes everybody's business."

How exactly did the six men Dickerson arrested bring their sex play "out into public"? They were inside a movie theater whose two screening rooms continually play porn. Thus they were out of view of the neighbors except during the time they were walking through the theater parking lot.

Further: Only gay men looking for quick sex go to the theater, so it's not as if there were anyone in the theater who was surprised or outraged by the behavior of the six arrested men.

I think it's a pretty safe bet that if the theater offered a picture-window view to the neighbors or was patronized by members of the local garden club, men would not have sex in the theater.

The incident, in short, demonstrates the ambiguous meaning of the word "public." Indeed, it's clear that men go to the Belvedere for the precise reason that it affords them privacy.

The insanity of this situation is the same wherever it occurs. The men are privately engaging in consensual sex. Then a reporter or vice squad member shows up with a hidden camera. In effect, by spying, they violate the men's privacy to punish them for failing to have sex ... privately. The only thing that makes such sex public is the presence of the police camera.

People, including gay men, have all kinds of moral reactions to sex of this type. They argue that in a more open society, no gay man should need to pursue furtive sex outside the home. But, typically, men who patronize places such as the Belvedere are married. Other customers see themselves as part of a sexual culture that treats sex as recreation. It's rare to see anyone support a right to establish zones like the Belvedere for recreational sex play anymore, but such spaces have been around for centuries.

Many gay people argue, too, that such behavior makes the entire gay community look "bad." That makes as much sense as saying the exhibition of breasts during Mardi Gras in New Orleans makes all straight people look bad. A community that supposedly reveres diversity looks absurd when it joins the state's effort to control consensual sexual expression.

One thing is certain. If the Belvedere is permanently closed, another such venue will appear quickly. Men will resume their play out of public view until another reporter shows up to moralize on camera.

(Cliff Bostock holds a Ph.D. in depth psychology.)

For reprint rights contact grazer@mindspring.com

Recent Headcase columns:

All Boomers are insane:
Blame it on the '60s

The value of LSD:
Reflecting on the death of Albert Hoffman

When the news is propaganda:
The U.S. media ignore a story about their own corruption

The construction of meaning:
Of Easter, tornadoes and aesthetics

Prozac of placebo?
A major study questions antidepresssants

Paranoid Nanny:
Doing it in the name of Jesus

An avalanche of criticism:
Psychology takes yet another turn

Why I was disinherited:
'For reasons known to him'

No, no, no
Should Amy Winehouse kill herself?

A run of bad luck
And a moment of gratitude

Just in time for Christmas
My father rejects me from his grave

Orphaned again
My father dies at 84

No, no, no
Should Amy Winehouse kill herself?

I'll never speak to you again
Unless you speak to me again

Reporting as stenography
It's gotten worse, but it certainly isn't new

The new atheism
'Tis the season to disbelieve

My worst Thanksgiving ever
Waiting for a corpse at a drive-in funeral home

Toffee Coffee Arctic epiphany
Insight rarely arrives on schedule

Meditation or medication?
Of depression, placebos and the Dalai Lama

Are you shy?
Perhaps you are mentally ill and need Paxil

Two different brains
Liberals and conservatives are literally wired differently

Tap dancing in the bathroom
Now, the GOP = Gays On Pottie
s

Freud and baggy pants
It's all about anal eroticism

The first day of school
How to make a bad impression in first grade

Looking for a mustard seed
A faith healer, a man who sits on the roof and me

My visit to PTL
Why Tammy Faye was gay-friendly

Necessary anthropomorphizing
Of Michael Vick and the nature of animals

One year later
A dream of a dove and my dead mother

Pandering at the AJC
Thoughtful criticism of the arts? Who needs it?

Everything Freud is new again
t's not only what you remember, it's how you remember

Massacre at Virginia Tech
Everyone has an explanation; no one has an answer

Twenty years later
The exemplary and angry work of ACT UP

Do you hear what I hear?
Psychology undertakes some new directions

Surprise! You're crippled!
My year of well-insured misery

Dancing and Death
Thoughts on a flamenco performance

The Shadow Knows
Why do good men say dumb things?

Are you a happy camper?
Positive psychology invades the schools

It's good to be dead
Saddam's a martyr and Ford's the great uniter

Does your life suck? It's time for some excellent negative thinking.

God is a goat:
On encountering Pan in a new movie

Are you a happy camper? Positive psychology invades the schools

Your body is not your own: Of the Love Shack, Mary's uterus and gay soy

Sincerely mendacious: When lying feels warm and fuzzy

Don't grunt: How to humiliate a musclehead

The cartoonish imagination: Of reefer, castration and Abu Ghraib

Delicious Schadenfreude: Americans cast out the Republican devils

Crystal meth and sex: How the drug turned an AIDS educator's life upside down

The freak is chic: Shortbus discloses the everyday theater of the absurd

The Mother's Gaze: Love, pain and the need to forgive

Meeting an avatar: A look back after five years of estrangement from a spiritual teacher

In the crucible of melancholy: Visiting childhood homes recalls the future

The crack in everything: Of broken hearts, angels and terrible knowledge

Who's crazy? Recalling my summer with severely autistic children

Blogging as therapy: Will cyberspace obliterate the consulting room?

Come home, Morpheus: A bout with insomnia

Walking the fine line: Challenging traditional perceptions of beauty -- and androgyny

My mother's memorial service and remembering Bryn Athyn Cathedral

My mother is dead: Remembering the character who shaped me

The poetry of pain: Is there meaning to be found in extreme pain?

For more, go here: By Cliff Bostock

 

Endorsements from the enemy

From a post entitled "The Insane Hatred of the Evil Left" on the blog of (former wingnut Sen.) Rick Santorum:

"Cliff Bostock is a typical example of a Santorum-hater, though unique in that he is apparently a PhD in psychology. Let’s pray to God that he is not actually practicing psychology, and if he is, may God have mercy on his patients."

From one of 557 posts about me on FreeRepubic.com, the right-wing website famous for "Swiftboating" John Kerry. The "Freepers" were angry I called them lunatics:

"This 'writer' is following the homosexual agenda propaganda techniques lifted by Goebles to a tee. Marginalize the enemy, ridicule their view, and prevent others from considering them."

"The psyche's reality is lived in the death of the literal."(Gaston Bachelard)


News & comment

Imaginal Psychology

If you saw an advertisement for life coaching or imaginal psychology, welcome. You may want to read the section at right, "Psycho Credo," for a more in-depth understanding of the way my work has developed. Although my work has much in common with "life coaching," it is different in that I have an extensive background in psychology, including a clinically oriented MA in psychology, with two years of clinical training, and a PhD in a program whose purpose was to find ways to put the insights of depth psychology to use in ways other than the usual psychotherapy. So, my work is solution-oriented but it is also "deep," in the tradition of depth psychology, particulary the branch of it called "imaginal psychology," whick works directly with the imagination. ("Depth psychology" is the general term used to encompass both the psychoanalytical work of Sigmund Freud and the analytical psychology of C.G. Jung.)

My work, which normally occurs one-on-one but can occur in limited-term groups, differs from psychotherapy in that it assumes the client is not suffering a serious mental-health disorder and is well motivated to change some aspect of his or her life. Whereas a traditional therapist often acts within a medical model, making a diagnosis and planning a cure, my role is often more as a mentor. My work is about clarifying goals, creating new possibilities --not about curing an illness.

The goals may pertain to one's personal, spiritual or career life. But what all of my work has in common, though, is that I work with the imagination. This does not mean you have to have an artistic temperament. It means that I have developed ways of opening the imagination so that you can begin to see yourself and the greater world differently.

Because I have worked over 20 years as a journalist and opinion columnist, I have particular sensitivity to people who feel creatively blocked. I've worked with jazz musicians, writers, painters and dancers, as well as lawyers and doctors.

I realize my work is difficult to understand without experiencing it, so i offer a reduced-price initial consultation. Cll 404-525-4774 or write me at grazer@mindspring.com.


Muse 101

We will soon schedule a session of Muse 101, a daylong workshop for people who want to improve creative functioning or develop a keener sense of life purpose. This workshop is the usually required predecessor for participation in the Greeting the Muse 11-week workshop. But it's also a good way to seize a glimpse, often a radical one, of what is blocking self-expression.

This session is directed to newcomers and people who have taken workshops with Cliff Bostock before and would benefit from a refresher.

Muse 101 situates creative inhihbition in the body as well as the mind. The workshop is "playful," in the sense that participants experiment with alternative ways of being through work Cliff Bostock has developed. The work can include music, writing, enactment.. If you want some sense of the way this work affects people, click HERE

Cost of the day is $95. A sliding scale fee is available for one place. You should contact us to apply for that. These workshops are kept small -- five to seven people -- so there are no refunds for last-minute cancellations. (Cost includes breakfast pastries and coffee.)

Contact Cliff Bostock, 404-525-4774, grazer@mindspring.com. I prefer emaill. (Please put "Muse 101" in the subject line of your email.)


Theater of Dreams
Six Mondays, 7 -9 p.m

This workshop, which runs six weeks, involves the study of dreams in an experiential way. Like all my groups, this one is usually kept to 5 to 7 people.

Participants keep a journal of their dreams during the workshop's term. (Don't worry: I've never had a client who was unable to remember some of his dreams with a few tricks.)

Freud called dreams "the royal road to the unconscious." During sessions, we enact dreams, rather than just discussing them, in order to more readily discern their varied meanings. The only way to approach the contents of the unconscious is through images. Thus dreams are ideal in that respect, since they are spontaneously created by the psyche. This means that dreams can often clarify what is inhibiting a person or disclose change the psyche is demanding.

Unlike much dream analysis, this work does not attempt to afix a definitive meaning to any one dream. We often enact a dream several times and new material seems to arise with each enactment. We also experiment with changing the dream's narrative, imagining how the dream might continue. Over time, most clients are surprised to see a pattern develop that does reveal the central conflict or problem being processed by the unconscious.

Cost of the group is $50 weekly, $300 total. If you pay in full 10 days in advance, you receive a discounted rate of $250. Usually, if more than 7 people have signed up, we add one or two sessions at no extra cost.

Contact Michael Saunders, 404-234-5866 or write srfnturf@bellsouth.net. Or you can contact Cliff Bostock, 404-525-4774, grazer@mindspring.com. Both of us prefer email. (Please put "Theater of Dreams" in the subject line of your email.) Checks should be made out to Cliff Bostock, 403 Milledge Ave., Atlanta Georgia 30312.


Body-Life Coaching

I'm excited about a new direction I am taking -- combining life coaching with personal training in the gym. I've worked-out religiously for more than 25 years and I worked part-time as a personal trainer at a YMCA in my 20s -- before it was cool to work out.

I know from personal experience and from many studies that exercise is often more effective for the treatment of anxiety and depression than drugs. I also know that it's hard to get the typical depressed client motivated to go to the gym. Thus my idea to directly combine life coaching and personal training at a gym.

By combining the two, the client can directly address body-image issues (including the dysmorphia so common among gay men) with immediate support. Many other "issues" arise when people become more conscioius of their bodies, so there is no limit on what can be discussed in the coaching portion of a session.

And it doesn't hurt that by combining life coaching and personal training in one session, clients can save a lot of money.

I am still working out location details for this, but please call 404-525-4774 or write me at grazer@mindspring.com .


It's Not Therapy. It's Training.

Here's another take on the way my work differs from psychotherapy. My associate, Michael Saunders, says my work is less like psychotherapy than "training" (which is consistent with "coaching"). I asked him to elaborate and he says it far better than I could:

"I see the work as training first because it's focused on developing skills, tekhne. You teach people practical methods of engaging particular activities that serve as catalysts--journal-keeping, dialogues, even structural work* in the way you use it.

" Secondly, it's like training in that it infuses emotional experience with a rational element. You engage people in their work to take various steps which lead them to see something, and then you direct them to observe what they have conjured up, rather than correct it, as someone like Al Pesso* would do.

"The infusion of a rational element into an encounter with unconscious material doesn't have the quality of rationalizing or defusing; rather it allows people to linger longer over something and really see what they've conjured up. Therapy tends to rush past the initial encounter with the retrieved vision, treating it as a Skylla and Charybdis to be carefully and quickly navigated past.

"And finally, therapy tends to assert somehow, however muddily, that a person can wash their sins and hurts away. Your work invites people to learn, like Odysseus, to be known by their wounds in meaningful ways. That, again, is tekhne, skill, training."

(*Note: Al Pesso is the founder of psychomotor therapy, which has very much inspired my own work, although I eventually came to see its value mainly as cathartic. As Michael says, I question its capacity to "correct" or "cure" the wound. Indeed, I question the wisdom of such an undertaking at all.)


SECI? What's That?

Michael Saunders and Cliff Bostock announce the formation of the Southeast Coiloquium of the Imagination.

Purpose of the Colloquium is to sponsor workshops, talks and other events that promote the imagination. These may include psychologically oriented workshops that help particpants improve their personal lives; seminars that examine the way, for example, the City of Atlanta collectively imagines itself; and educational talks.

We see our work as taking place in intimate venues so that there is an emphasis on personal interaction.

If you have comments or would like to get involved, email Michael Saunders at srfnturf@bellsouth.net.

Check back here regularly for more information.


Dr. Robert Sardello

Click here to read Cliff Bostock's interview with Dr. Robert Sardello, founder of the School of Spiritual Psychology and author of several books about the life of the soul.


 

'Creation is a
more excellent act than
illumination.
'
(Marsilio Ficino)

 

 

This site still under construction
Also see soulworks.net

About Me
I live in Atlanta with my partner of 14 years, three cats and the ghosts of two canaries. I am a writer and I offer personal growth work grounded in imaginal psychology. My work is no longer psychotherapy but I do hold a PhD in depth psychology (psychology of the unconscious) with a special emphasis in the archetypal psychology of James Hillman (popularly known for his book, "The Soul's Code"). Generally, my work is oriented toward the theories of Carl Jung.

I ALSO HOLD a clinically oriented MA in psychology from a program that stresses phenomenological approaches. This included two years of on-site clinical training. I see clients individually and in groups and workshops.

MY OBSESSIONS are Spain, the gym and good food. (I write a weekly dining column called "Grazing," as well as "Headcase," reprinted in the first column here. Both columns are printed in Atlanta's alternative newspaper, "Creative Loafing." I earlier worked as editor of several large publications as well as freelancing widely.)

Psycho Credo: History and Description of My Work

MARSILIO FICINO'S statement above, next to my picture, expresses my basic philosophy about personal growth. Like Ficino, teacher of the great artists of Renaissance Florence, I believe creating something beautiful out of our lives, no matter what happened to us, is more important than repeatedly illuminating the past.

I WORK with the imagination. I try to help people imagine their lives differently by paying closer attention to their calling. I have developed techniques in service to that objective. Most of us have never learned how to look both inward and to the larger world outside ourselves to discern life purpose, much less what impassions us, makes us happy and what holds us back. Therapy often tells us that we are inhibited by the past. That may partly be true, but I have found that the failure to "follow one's bliss," to use Joseph Campbell's expression, is really a failure of the imagination in the present. In my way of working, even the way we remember the past -- and remembering itself is an act of imagination -- is always as much a comment on the present as a historical statement..

MY WORK is personal growth but no longer psychotherapy in the conventional sense. (And my work is not intended for people with mental health disorders.) For the last 12 years I've been part of a movement succinctly described in an issue of the Utne Reader : "A new artistic and spiritual movement has evolved so far beyond . . . therapy that it needs its own name . " Maureen O'Hara, former president of the Association for Humanistic Psychology, suggests "soulcraft," "psychopoetics" and "the existential arts . " (Atlanta Magazine called me an "anti-therapist.") If you want to read about my journey away from conventional psychotherapy after a few years of its practice, click on the "psychology papers" tab at the top of this page.

FOR A PERIOD I used the term "soulwork" to describe my work, but the term "soul" has become so over-used that its original meaning has been almost completely eclipsed by religion and the self-help industry. (Even Hillman has begun to move away from it.)   Much of my writing is still filed under my former site, soulworks.net.

MY ASSOCIATE Michael Saunders, who has worked with me in the past as a client, does a better job than I do in describing my work in the piece at left entitled "It's not therapy." He distinguishes my work from therapy by calling it training. In that sense it is closer to "life coaching," in which the facilitator enters a mentoring partnership with the client instead of making a diagnosis and trying to "cure" pathology.  

MY WORK, following James Hillman, rejects the medical model and the fantasy of cure where personal growth is concerned. A medical perspective only further entrenches people in their inhibitions by turning confusion into a disease. My work presumes that the client is motivated to change but has lost her way - not that she is too afflicted to change.

I HAVE rechristened my work "Imaginal Training."  In my way of working, as Michael points out, the intellect is not accorded a position that is inferior to feelings, as is true in much therapy, but joins directly with the feelings in the project the client establishes for himself.

WHAT IS THE OUTCOME of this kind of work?   One way of putting it would be to say the goal of my work is the cultivation of eccentricity through an appreciation of beauty, not as prettiness, but as the quality that gives every living and inanimate thing of the world its particularity. The poet Rimbaud wrote: "Finally I came to regard as sacred the disorder of my mind." It is in the very "disorder" of our minds - exactly what most psychotherapy attempts to "fix" or "cure" - that our sense of life purpose can be gleaned.

THIS IS SO alien to the way most of us live that it is hard to communicate except experientially how deeply satisfying it is when we learn to live from an aesthetic perspective. We stop monitoring ourselves continually to accommodate values that may not suit us. We find our passion and our compassion --happiness.

THIS IS completely consistent with the original, long forgotten project of depth psychology created by Freud and Jung. It has been continued by Hillman, one of my teachers, and Thomas Moore ( author of "Care of the Soul" ) . The work of all four of them draws heavily from the creative arts - a great difference from the very focused clinical scientific orientation of most psychologists today, who might be of great help to people with disorders but less helpful to ordinary people who are questing for meaning and creative purpose in their lives

Workshops
All workshops are conducted on an ongoing basis, either on weekends or during weekday evenings.. Fees are sliding-scale. Please write grazer@mindspring.com or call 404-525-4774 for details.

Writing Your Life
A workshop in the memoir to uncover personal mythology and life purpose.

Shadow Play
A workshop that addresses the complaint, "No matter what I do, I don't seem to change."

Theater of Dreams:
Enacting the psyche's fantasies .

Muse 101/Greeting the Muse
Workshops to enhance creative thinking and practice . Especially good for people who feel creatively blocked . Involves journaling and a creative project . Complete description here: http://soulworks.net/muse.html

Imagining the Body
Exploring the body's relationship to consciousness and the culture's norms of sexuality, gender and appearance . . Especially good for people with "atypical" bodies.

 

 

For an appointment or more information, call
404-525-4774 or email Cliff Bostock at grazer@mindspring.com